These easy-to-use kits contain everything you need to address common acoustical problems.
The London 12 Room Kit is a single solution for many typical acoustical problems such as primary reflections, flutter echo, standing waves and excessive bass.
Benedictine High School made the decision to turn a gymnasium into a Fine Arts Center to use for lectures, plays, movies, music events using a sound reinforcement system and other cultural art programs. Check out how they did it!(more)
AudioSeal Sound Barrier, one of Acoustical Solutions oldest and best products, is now available in a smaller roll size, 54" x 15'.
Audioseal Sound Barrier is a sound transmission blocker that reduces sound from transmitting through walls, floors and ceilings.
It is a limp-mass material made of high-temperature fused vinyl and no lead fillers. Audioseal™ Sound Barrier is very dense, weighing one pound per square foot.
This mass is what allows the Audioseal™ Barrier to be so effective at reducing airborne noise from transmitting into your space or inside noise transmitting out of your space.
The Maxtrap™ is a 24" x 48" corner-mounted bass trap designed to control low frequency modes.
This full-bandwidth device features a thick 3" front panel to absorb highs and mids.
A solid wood frame creates a 17" deep cavity behind the panel to control lower mid range and bass while a suspended diaphragm inside the cavity extends the bass absorption down to 40Hz.
This makes the Maxtrap™ the perfect full range sound absorption device to smooth out the peaks and valleys in your room.
Black cabinet with fabric wrapped Primacoustic Broadway acoustical panels.
Fabric wrapped panels are available in Black, Beige and Grey
I’m not the kind of guy who runs a green felt-tip pen around the rim of a CD so it "sounds better," or replaces my speaker cables with $100/foot diamond-crusted iridium wire that has to be plugged in a certain way to achieve harmonic oneness with the cosmos. And no, I can’t hear any significant difference between 96kHz and 192kHz.
So I’m naturally skeptical about a lot of the "snake oil" solutions that raise their ugly heads in the audio industry. And I have to admit, I thought the Primacoustic Recoil Stabilizer—a floating nearfield monitor platform, consisting of a metal plate on top of foam—was quite likely one of them. But apparently the company was expecting this kind of reaction, so they sent out a pair to various people in the industry, including journalists like Paul White (Sound on Sound), Andy Hong (Tape Op), and George Petersen (Mix), as well as engineer/producer types: Elliot Scheiner (Steely Dan, Fleetwood Mac, Sting, The Eagles, Queen), David Rideau (Jimmy Jam & Terry Lewis, Janet Jackson, Earth Wind and Fire), Joe Chiccarelli (Bon Jovi, Tori Amos, Annie Lennox), Butch Walker (Avril Lavigne, Fall Out Boy, Pink, Sevendust), Daniel Lanois (U2, Bob Dylan, Peter Gabriel), and Ari Raskin (Justin Timberlake, Sean Paul, Moby, Black Eyed Peas). And of course, yours truly. We all sent in our comments separately, yet all noted the same effects: Better imaging, more accurate bass, and more clarity in terms of transient response.